Soon the jaunts in the car over the
hills and back again cease. My hunch that we would find somewhere else to live is
justified. I will be in walking distance of the school I am to attend and the
house we are moving into is exactly between the school and where Auntie Ada
lives on the farm with Aunt Jane and Uncle Arthur and Jack. So we leave the hilltop village and
move into an imitation Georgian house with only a high wall separating it from
the main road.
At the front of the
new house there isn’t much room for flowers. There is an oblong lawn that is
ideal for rolling snowmen. At the back there is a beautiful big yard.
Neighbouring children are allowed to come and play with me under the shady
fruit trees in the sand pit Dada has made. I am also allowed to go and
play with a neighbour’s child. I don’t remember her, but I do remember that she
has a grandmother.
Our neighbour on one side, between us
and the old parish church, is a nice, rather deaf lady. Sometimes I push my
head through a gap in our hedge to talk to her. Then she invites me to climb
into her garden over a low part of the wall at the back of the house. I think
she is lonely, so I tell her a lot about my own fascinating life.
She keeps bees and every year she
harvests their honey. She tells me all about the habits of the bees, and
teaches me to talk to them. One day some of them swarm quite unexpectedly, and
I am at first very frightened because she is in the house getting us a drink of
lemonade. But I remember how she handles them and start to tell them what I
think about them leaving home and pestering me. A few of them rest on my head
and I have to keep talking very loudly to stop myself running away. They are communicating with each other. Are they deciding
whether to sting me? I tell them I am here to visit Mrs Logan, so would they
please find another head to rest on.
"That was very clever, my
dear."
Mrs Logan has been listening to me.
"You did exactly the right
thing."
"Why did you leave me alone with
them?" I sniff.
"I wanted to see what you would
do," she explains. "The bees know you and like you. They won’t hurt
you unless you frighten them."
Mama has also seen the incident and
tries to stop me visiting Mrs Logan, but the bees start to fly over the
communal hedge into our garden to visit me instead and I have to be very firm
with them to make them go back home at all.
Mama isn’t really angry. She likes
Mrs Logan, who has a deaf sister who is prepared to come in and do our washing
on Mondays and ironing on Tuesdays and clean up on Fridays. This takes a load
of Mama’s mind. She is now very round and fat and it won’t be long before my
sister arrives.
So I am allowed back into Mrs Logan’s
garden. Now I always visit ‘my’ bees before joining Mrs Logan on her patio,
because the bees seem to expect it. Mrs Logan gives
me pots of honey to take home. It is sweet and gooey, and I eat it with spoon
and fingers.
Angel food.
Do angels eat honey? Do angels eat
anything?
I can’t use up all my days visiting
Mrs Logan and the bees, for I have to do some intensive staring at the
neighbours on the other side. Staring is a very important part of my life.
Staring is like watching stories as they happen. Staring is even better than
Mama’s books, if something unexpected is happening. I stare on buses, because
buses are always full of funny people. When Mama tells me not to stare, I
wriggle and squiggle, like the fly inside the old woman.
One day I am wriggling and squiggling
so hard that a lady in the bus tells Mama she is not keeping me under control.
I think Mama must have been of the same opinion because she challenges her.
“You have a try, as you seem to know
all about controlling children,” she says, and pushes me across the aisle in
her direction.
The woman takes me on her lap. I am
astonished that I have been handed over like a lapdog. And anyway I’m much too
big for laps. I turn round to stare at her. Now I am very quiet indeed and Mama
is bracing herself for the worst.
She doesn’t have to wait long.
“You’ve got big teeth like a rabbit,”
I inform the lady in a voice everyone can hear.
The passengers on the bus all laugh
heartily. All except for Mama, that is. The big-toothed lady is quite a well-known
interferer and do-gooder and Mama is acutely embarrassed at my comment, because
I am actually quoting her, though the bus passengers don’t know that. But I may
be quoting them, too, which would explain the laughter.
The big-toothed lady pushes me back
across the aisle and looks at Mama very reproachfully. Mama’s eyes are bright
and she is feeling quite victorious in a told-you-so sort of way. I know that,
because she doesn’t give me the smack I probably deserve. Smacks are warnings
in our house. I avoid smacks whenever possible, but sometimes they are a small
price to pay for getting my own way.
I am curious about the neighbours on
the other side of our house because I have only ever seen them fleetingly. My
month long vigils have led to almost nothing, until one day, after dinner, I
take my doll’s pram for a walk along the dividing hedge and peer as if by
accident through a gap that I keep open by snipping the twigs off with the smack-worthy
kitchen scissors, which I smuggle out and in again under the blanket in my
doll’s pram.
Today, on the gravel path leading up
to the white-washed house with its elegant bay windows and topiary bushes, I
can see a rather large wheel-chair. It isn’t like the wheel-chair from the
local hospital, from the time Uncle Arthur’s farm-hand broke his shin and had
to be wheeled around. It’s sort of flattened, as if you wanted to lie in bed
with about three pillows to slant you up a bit. And there are foot rests with
what look like spurs on them.
And half sitting, half lying in this
contraption is a melancholy creature with metal things on its legs. She’s a lot
older than me, so why is she lying in a portable bed? I try to attract her
attention, but she either doesn’t hear me, or doesn’t want me to know she can
hear me.
After a few minutes I get fed up, and
wheel my doll’s pram back into the house.
I am just putting the scissors back
into the drawer when Mama comes into the kitchen. She thinks I am taking them
out.
"You can’t have those," she
scolds. "They’re much too big for you. What do you want them for,
anyway?"
Though she minds most of her own
business, Mama still wants to know everything about mine, so I think she may
have found out something about the occupant of the strange bed.
I don’t answer her straight away,
which Mama interprets as guilt. She seems to be reading my mind.
"You must not pry on other
people," she scolds. "They have enough problems of their own without
having people spy on them."
"But I could play with
her," I start to say.
"No, no, no." Mama is
horrified. "You might catch it."
"Catch what?" I can only
connect catching with playing ball.
"Infant paralysis," Mama
replies in a matter-of-fact voice, and I am none the wiser.
"One night, that little girl got
a high fever, and next day she couldn’t move a muscle. And that’s how she’s
been ever since."
"Like this," I ask, and
demonstrate how she is lying.
"You naughty girl, making fun of
her. Count yourself lucky that you’re not like that."
I am lucky. I know that. I don’t need
callipers on my legs, or a portable bed, or people to be sorry for me, and
I don’t make fun of unfortunate people. I only poke fun at busy-bodies with big
teeth in buses.
Whenever I can, I go and peer through
the hedge again, just to see if the girl is still there.
But I never see her again.
Is she an angel now?
I ask Mama if the girl is dead.
"I don’t know," she
replies. "But if she is, she’s better off than in that wheel-chair for the
rest of her life."
My childish reasoning tells me that
any life is better than no life at all. I think of my sister opting out without
even giving it a chance.
"But she could still hear the
birds and see the sea, and read books," I argue.
But Mama isn’t interested in serious
discussions. She has to get the tea ready for when Dada comes home from the
office. In her family, women’s priorities revolve around waiting on the
men-folk. Children are to be seen, not heard. She can’t help being like she is.
And because she is Mama, I love her. But being her daughter doesn’t necessarily
mean that she loves me, at least, not so as you’d notice.
In the front garden of our new house,
right underneath my bedroom window, there is a very strange tree. It has
curious outstretched arms and no leaves at all, just unfriendly scales with
prickles on the tips. A skeleton tree without leaves, or flowers, or fruit,
can’t be of any use to anyone, I decide.
Every evening, before getting into
bed, I open my curtains. The street lamp burns brightly behind the tree so that
its grotesque shape throws eerie shadows across my window. Lying in my bed I watch the skeleton. When it rains, its
armadillo scales glisten in the lamplight. When it’s windy, the skeleton
rattles a bit and sways to and fro without any symmetry of movement. In winter,
the snow puts sleeves on the grotesque limbs. It seems to thrive without any
attention. It grows and grows without any regard for the seasons. The birds
ignore it.
When I wish it were an apple tree,
Dada explains that burglars could climb up an apple tree and in through my
window. But no burglar will tackle a monkey puzzle tree, just as no monkey in
its right mind would attempt to scale those prickly heights.
The monkey puzzle tree becomes a
symbol. It doesn’t have to be there at all. But since it is there, at least it
remains true to itself.
Whenever I think of the monkey puzzle
tree, I remember that.
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